REAL NOT REAL The world is divided into two parts: In the tension that causes the universal opposite actually born third pure symbolic nature, the third reality is irrelevant, visions that condense my paintings and drawings are the result of this confrontation. Peter Bosco (Barbastro, 1963), creator of the Unreal, cartoonist, illustrator designer, graphic humorist Herald of Aragon, pantesta, Esoteric, comic illustrator, copyist of the Prado, sculptor, muralist, portraitist , master craftsman, designer of theater sets for three years restoring the artistic heritage, many exhibitions, art and unrealistic mercenary born. The work of Peter Bosco, Aragons artist who created his own style, the influence estmarcada fantastic art and the constant evolution, as he well says I have not stopped reinventing my same proof is the expectation that cause their presentations. Peter Bosco has a great track record, Camaleño intense, imposing a different label in each stage. You never know what lurks in each of their signatures. Bosco Peter's work does break and immerse the viewer into a labyrinth of strange sensations, invites us to travel through the thick veil of reality into the imagination without limits, breaking the boundary between real and unreal, free from any control razny of Logic. Agreem the term unrealistic to define my style and channel the creative power exists, as real and unreal as life itself. I am an artist of a timeless time, looking for difficult to schedule independent ideological distortion that some call modern visitor sentiratrapado The world of Peter Bosco, in which images and objects are shown with great naturalism, but that by paradoxical elements or juxtapositions strange and baroque, sometimes gothic, sometimes futuristic, conveys a feeling of unreality. His work estn made with a touch difficult to appreciate, NTID profile and very well finished. The drawing is importantsimo, differ with thin lines as the basis for painting everything is defined by the drawing that is skillful, clear, clean taste and traditional and futuristic. Scenic art paintings for movies I can not escape the influences of my own generation: first the fascination of the great classic painting, on the other the influence of the aesthetics of COMIC , FILMS, MUSIC Poetry, LITERETURA, sculpture, photography, NEW TECHNOLOGY, the phantom presence of the artistic avant-all this and more, seen this travs the prism of the world we live in or in which we live, the fusion of all these factors created the unreal as an alternative to boredom prevails in the rooms art
Spain
